Bibiography

Addis, Stephen. 1978. Obaku: Zen Painting and Calligraphy. Lawrence, Kans.: The Helen Foresman Spencer Museum of Art.
Asaoka, Okisada. 1912. Zotei Koga Biko (Handbook of classical painting), 3 vols, and index vol., revised and enlarged by Ota Kin. 3d ed. Tokyo: Yoshikawa kobunkan.Asiatic Art in the Museum of Fine Arts. Boston: Museum of Fine Arts, 1982.
Banerjee, P. 1968. “Painted Wooden Covers of Two Gilgit Manuscripts.” Oriental Art, n.s. 14, no. 2:114-18. 1969. “A Manuscript Dated in the Regnal Year fiftythree of Ramapala.” Indo-Asian Culture, 18, no. 1: 61-63. 1974. “An Illustrated Prajnaparamita Manuscript in the Collection of the National Museum.” Lalit Kala 16: 33-36.
Beguin, Gilles, et al. 1977. Dieux et demons de l’Himalaya: Art du Boudhisme lamaique. Paris: Reunion des Musee nationaux.
Beguin, Gilles, and J. Rioux. 1983. “A propos de deux couvertures de livre du XII siecle.”Le revue du Louvre et des Musee de France, no. 1:5-12.
Bendall, Cecil. 1883. Catalogue of the Buddhist Sanskrit Manuscripts in the University Library, Cambridge. Cambridge: Cambridge University Press.
Bhattacharyya, D.C. 1972. “The Five Protective Goddesses of Buddhism.” In Aspects of Indian Art: Papers Presented in a Symposium at the Los Angeles County Museum of Art, October, 1970. Edited by Pratapaditya Pal. Leiden: Brill.
Boisselier, Jean. 1976. Thai Painting. Translated by Janet Seligman. Tokyo: Kodansha.
Chandra, Moti. 1971. “A Pair of Painted Wooden Covers of the Karandavyuha Manuscript Dated A.D. 1455 from East India.” In Chhavi: Golden Jubilee Volume Bharat Kala Bhavan (1920-1970). Edited by A. Krishna. Varanasi: Banaras Hindu University.
Chapman, Jan. 1983. “Chinese Jade Books in the Chester Beatty Collection.” Arts of Asia (May-June): 110-19.
Chimpa, Lama and Alaka Chattopadhyaya. 1980: Taranatha’s History of Buddhism in India. Calcutta: Bagchi.
Choudhury, A.M. 1967. Dynastic History of Bengal (750- 1200 A.D.). Dacca: Asiatic Society of Pakistan.
Conze, Edward. 1948. “Remarks on a Pala Manuscript in the Bodleian Library.” Oriental Art, n.s. 1, no. 1: 9-12.
———. 1949. “The Iconography of the Prajnaparamita.”Oriental Art 2, no. 2: 47-52
———. 1951. “The Iconography of the Prajnaparamita.” Oriental Art 3, no. 3: 104-9.
———. 1964. Buddhist Texts through the Ages. New York:Harper & Row.
———. trans. 1970. Astasahasrika Prajhaparamita.Calcutta: Asiatic Society.
Coomaraswamy, Ananda K. 1921. “An Illustrated Nepalese Manuscript.” Museum of Fine Arts Bulletin 19, no. 114:47-49.
Dargyay, Eva M. 1977. The Rise of Esoteric Buddhism in Tibet. Delhi: Motilal Benarsidass.
Das Gupta, R. 1972. Eastern Indian Manuscript Painting. Bombay: Taraporevala.
Diringer,David. 1967 [1958],The Illuminated Book: its History and Production. New York: Praeger.
Dutt, N., ed. 1939. Gilgit Manuscripts. Vol. 1. Srinagar: Government of Kashmir.
Edgren, Soren, et al. 1984. Chinese Rare Books in American Collections. New York: China Institute in America. Egami, Yasushi. 1980. “Shinshutsu no Kongoshoji-zo konshikinji sogonkyo (Newly recovered decorated sutra in gold characters on indigo paper in the Kongoshoji collection).” Bijutsu Kenkyu, no. 314 (September): 109-33.
Foucher, Alfred. 1900 and 1905. Etude sur Ticonographie boudhique de ITnde. 2 vols. Paris: Ernest Leroux.
Fujieda, Akira. 1968. “E-iri Kannonkyo sasshi (Illustrated Avalokitesvara sutra in booklet form).” Bokubi, no. 177 (March): 2-46.
Ghosh, D.P. 1971. “Eastern School of Mediaeval Indian Painting (Thirteenth-Eighteenth Century A.D.)”. In Chhavi: Golden Jubilee Volume Bharat Kala Bhavan (1920- 1970).Edited by A. Krishna. Varanasi: Banaras Hindu University.
Goepper, Roger. 1983. “An Early Work by Koen in Cologne.” Asiatische Studien 37, no. 2:67-103.
Gunasinghe, Siri. 1978. An Album of Buddhist Paintings from Sri Lanka (Ceylon) (Kandy Period). Colombo: National Museums of Sri Lanka.
Guy, John. 1982. Palm Leaf and Paper. Melbourne: National Gallery of Victoria.
Hakeda, Yoshito S. 1972. Kukai: Major Works. New York: Columbia University Press.
Hambis,M.Louis, ed. 1977. L’Asie centrale: Histoire et civilization. Paris: College de France.
Hatt, Robert T. 1980. “A Thirteenth-Century Tibetan Reliquary.” Artibus Asiae 42, nos. 2-3: 175-220.
Hayashi, Susumu. 1981. “Korai jidai no soshokukyo (Koryo-period decorated sutras).” In Korai butsuga (Koryo Buddhist painting). Edited by Kikutake Jun’ichi and Yoshida Hiroshi. Tokyo: Asahi shimbunsha.
Hazra, R.C. 1963. Studies in the Upapuranas. Vol. 2. Calcutta: Sanskrit College.
Huntington, John C. 1972. “Gu-ge bris: A Stylistic Amalgam.” In Aspects of Indian Art: Papers Presented in a Symposium at the Los Angeles County Museum of Art, October, 1970. Edited by Pratapaditya Pal. Leiden: Brill.
Huntington, Susan L. 1984. The “Pala-Sena” Schools of Sculpture. Leiden: Brill.
Hwang, Soo Yung. 1979. “Shira hakushi bokusho Kegonkyo ni tsuite (A Unified Silla Avatamsaka Sutra in ink on white paper)”. Bukkyo Geijutsu, no. .127: 11-20.
Imaeda, Yoshiro, 1977. “Mise au point concernant les editions chinoises du Kanjur et du Tanjur tibetains”. In Essais sur Part du Tibet, Edited by A. Macdonald and Y. Imaeda. Paris: Librairie d’amerique et d’orient.
Inoue, Yasushi, and Tsukamoto Zenryu, eds. 1979. Toshodaiji. Vol. 9 of Koji Junrei Nara (Pilgrimages to old temples in Nara). Kyoto: Tankosha.
Kameda, Tsutomu, ed. 1977. E-Ingakyd (Illustrated Sutra of Cause and Effect). Vol. 1 of Shinshu Nihon Emakimono Zenshu (New edition of compendium of Japanese illustrated handscrolls). Tokyo: Kadokawa shoten.
Kanda, Kiichiro. 1961. “Gen-Shigen nijuhachinen no konshikingindeisho Kegonkyo ni tsuite (The Avatarhsaka Sutra written in gold and silver on indigo paper and dated (to the) twenty-eighth year of the Zhiyuan era of the Yuan dynasty).” Bijutsushi 40 (March): 130-32.
Karmay, Heather. 1975. Early Sino-Tibetan Art. Warminster: Aris & Phillips.———1977. “Tibetan Costume, Seventh to Eleventh Centuries”. In Essais sur l’art du Tibet. Edited by A. Macdonald and Y. Imaeda, Paris: Librairie d’amerique et d’orient.
Kaufman, Laura. 1985. “Practice and Piety: Buddhist Art in Use”. Apollo (February): 91-99.
Kawada, Osamu. 1979. “Shuji Hokekyo-gire (Fragment of an embroidered Lotus Sutra).” Senshoku no Bijutsu, no. 1 (Autumn): 66-67.
Komatsu, Shigemi. 1976. He ike Nogyo no kenkyu (Research on the sutras dedicated by the Heike family). 3 vols. Tokyo: Kodansha.
Kramrisch,_Stella. 1933. “Nepalese Paintings.” journal of the Indian Society of Oriental Art 1, no. 2: 129-47.———. 1964. The Art of Nepal. New York: Asia Society.
Kurata, Bunsaku, and Tamura Yoshiro, eds. 1981. Hokekyo no bijutsu (Art of the Lotus Sutra). Tokyo: Kosei shuppansha.
Law, B.C. 1946. Buddhaghosa. Bombay: Royal Asiatic Society.
Lawton, Thomas. 1973. Chinese Figure Painting. Washinton, D.C.: Smithsonian Institution..
Lee, Dong Joo, ed. 1981. Koryo bool hwa (Koryo Buddhist painting). Seoul: Joong ang il bo sa.
Lee, Lena Kim. 1980. “Art”. In Studies on Korea: A Scholar’s Guide, Edited by Han-kyo Kim. Honolulu: University Press of Hawaii.
Lee, Sherman E. 1942. “A Manuscript and a Bronze from Nepal.” The Detroit Institute of Arts Bulletin 21, no. 8: 66-70.
Lee, Sherman E. and Wai-kam Ho. 1968. Chinese Art Under the Mongols: The Yuan Dynasty, 1279-1368. Cleveland: Cleveland Museum of Art.
Legge, James, tr. 1965 (1886). A Record of Buddhistic Kingdoms: Being an Account by the Chinese Monk Fa-hien of his Travels in India and Ceylon. New York: Paragon Book Reprint Corporation and Dover.
Lerner, Martin,1984.The Flame and the Lotus. New York: Metropolitan Museum of Art and Abrams.
Levi, Sylvain. 1932. “Note sur les manuscriptes provenant de Bamiyan (Afghanistan) et de Gilgit (Cachemire).” Journal Asiatique 220: 1-45.
Lewis, C.A. 1961. “An Illustrated Sanskrit Manuscript.” British Museum Quarterly 26, no. 1-2: 25-27.
Li, Lin-ts’an. 1982. Nan-chao Ta-li-kuo hsin tzu-Iiao-ti tsung-ho yen chui (A study of the Nan Zhao and Dali kingdoms in the light of art materials found in various museums). Taipei: National Palace Museum.
Lippe, Aschwin. 1965. “The Religions of Asia.” Apollo (September): 220-29.
Loehr, Max. 1968. Chinese Landscape Woodcuts from an Imperial Commentary to the Tenth-Century Printed Edition of the Buddhist Canon. Cambridge, Mass.: Belknap Press of Harvard University Press.
Lohuizen-de Leeuw, Johanna E. van. 1981. Sri Lanka Ancient Arts. London: Commonwealth Institute.
Losty, J.P. 1982. The Art of the Book in India. London: British Library.
Lowry, John. 1977. “A Fifteenth-Century Sketchbook (Preliminary Study).” In Essais sur Tart du Tibet. Edited by A. Macdonald and Y. Imaeda. Paris: Librairie d’amerique et d’orient.
Luce, Gordon H. 1969-70. Old Burma, Early Pagan. 3 vols. Locust Valley, N.Y.: Augustin.
Luk, Charles, trans, and ed. 1972. The Vimalakirti Nirdesa Sutra. Berkeley: Shambala.
Mailey, Jean. 1971. Chinese Silk Tapestry: K’o-ssu. New York: China Institute in America.
Majumdar, R.C. 1953. Inscriptions of Kambuja. Calcutta: Asiatic Society.——— 1971. History of Ancient Bengal. Calcutta:Bharadwaj.
Mallmann, Marie-Therese de. 1965. “A propos d’un Ms. illustre du XIe."Oriental Art, n.s. 11, no. 4 (Winter): 224-34. Matsumoto, Eiichi. 1926. “Hokekyo bijutsu (Lotus Sutra art).” Pt. 2. Kokka 428 (July): 175-84.
Matsumoto, Moritake. 1976. “Chang Sheng-Wen’s Long Roll of Buddhist Images: A Reconstruction and Iconography.” Ph.D. diss., Princeton University.
McCullough, Helen Craig, trans. 1985. Kokin Wakashu: The First Imperial Anthology of Japanese Poetry. Stanford, Calif.: Stanford University Press.
McCullough, William H., and Helen Craig Me Cullough,trans. 1980. A Tale of Flowering Fortunes: Annals of Japanese Aristocratic Life in the Heian Period. 2 vols. Stanford. Calif.: Stanford University- Press.
Meech-Pekarik, Julia. 1977-78. “Disguised Scripts and Hidden Poems in an Illustrated Heian Sutra: Ashide and Uta-e in the Heike Nogyo.” Archives of Asian Art 31: 53-78.———. 1981-82. “The Flying White Horse: Transmission of the Valahassa Jataka Imagery from India to Japan.” Artibus Asiae 43: 111-18.
Miya, Tsugio. 1976. Kinji Hoto Mandala (Gold-character pagoda mandalas). Tokyo: Yoshikawa kobunkan.———. 1983. “So-Gen hanpon ni miru Hokekyo-e (Lotus Sutra illustration in Song and Yuan printed manuscripts).” Bijutsu Kenkyu 325 (September): 99-110; 326 (December): 131-46.
Mizuno, Kogen. 1982. Buddhist Sutras. Tokyo: Kosei Publishing.
Mookerjee, M. 1946 “A Painted Book Cover from Nepal.” Journal of the Indian Society of Oriental Art 14: 95-101.———1947. “Two Illustrated Manuscripts in the Asutosh Museum of Indian Art, Calcutta.” Journal of the Indian Society of Oriental Art 15: 89-99.
Murano, Senchu, trans. 1974. The Sutra of the Lotus Flower of the Wonderful Law. Tokyo: Nichiren Shu Headquarters.
Murasaki, Shikibu. 1976. The Tale ofGenji. Translated by Edward G Seidensticker. 2 vols. New York: Knopf.
Murase, Miyeko. 1971. “Kuan-yin as Savior of Men.”Aside 33: 39-74. ——— . 1975. Japanese Art: Selections from the Mary and Jackson Burke Collection. New York: Metropolitan Museum of Art. 1983. Emaki: Narrative Scrolls from Japan. New York: Asia Society.———. 1986. Tales of Japan: Scrolls and Prints from the New York Public Library’. New York: Oxford University Press.
Nakata Yujiro, ed 1975. Ike Taiga. Vol. 19 of Shodo Geijutsu ( Art of Calligraphy) Tokyo: Chuo koronsha.
Nikkosan Rinnoji Hokan, eds. 1966. Nikkosan Rinnoji Hokan (Handbook of Rinnoji in the Nikko mountains). Tokyo: Tokyo bijutsu.
Pal, Pratapaditya. 1965 “A New Document of Indian Painting.” Journal of the Royal Asiatic Society. Pts. 3-4: 103-11.———. 1966. “Evidence of Buddhist Painting in Eastern India in the Fifteenth Century.” Journal of the Asiatic Society 18. no. 4: 226-70.———.1969. The Art of Tibet. With an essay by Eleanor Olson. New York: Asia Society.———. 1975. Nepal: Where the Gods are Young. New York: Asia Society.———. 1978. The Arts of Nepal. 2 vols. Vol. 2, Painting.Leiden: Brill.———. 1983 . Art of Tibet: A Catalogue of the Los Angeles County Museum of Art Collection. Los Angeles: Los Angeles County Museum of Art in association with University of California Press.———. ed. 1984a. Light of Asia: Buddha Sakyamuni in Asian Art. Los Angeles: Los Angeles County Museum of Art.———. 1984b. Tibetan Paintings. Basel: Ravi Kumar.
Pal, Pratapaditya, and Hsien-Ch‘i Tseng. 1969. Lamaist Art: The Aesthetics of Harmony. Boston: Museum of Fine Arts.
Pal, Pratapaditya, and Lionel Fournier. 1982. A Buddhist Paradise: The Murals ofAlchi. Hong Kong: Ravi Kumar for Visual Dharma Publications.
Ray, Nihar Ranjan. 1966. “Painting.” In-The History and Culture of the Indian People. Vol. 5, The Struggle for Empire. Indian ed. Edited by R. C. Majumadar. Bombay: Bharatiya Vidya Bhavan.
Reischauer, Edwin O. 1955. Ennin’s Travels in T’ang China. New York: Ronald Press.
Reynolds. E.E. 1982. Three Worlds According to King Ruang: A Thai Buddhist Cosmology. Berkeley: Center for South and Southeast Asian Studies. University of California.
Roerich, George N., tr. 1959. Biography of Dharamasvamin. Patna: K. P. Jayaswal Research Institute.———. ed. and trans. 1979. The Blue Annals. 1949-53.Delhi: Motilal Benarsidass.
Rosenfield, John M. 1968-69. “The Sedgwick Statue of the Infant Shotoku Taishi.” Archives of Asian Art 22: 56-79.
Rosenfield, John M., et al. 1966. The Arts of India and Nepal: The Nash and Alice Heeramaneck Collection. Boston: Museum of Fine Arts.
Rosenfield, John M., and Shujiro Shimada. 1970. Traditions of Japanese Art: Selections from the Kimiko and John Powers Collection. Cambridge, Mass: Fogg Art Museum.
Rosenfield, John M., Fumiko E. Cranston, and Edwin A. Cranston. 1973. The Courtly Tradition in Japanese Art and Literature: Selections from the Hofer and Hyde Collections. Cambridge, Mass.: Fogg Art Museum.
Rosenfield, John M., and Elizabeth ten Grotenhuis. 1979. Journey of the Three Jewels. New York: Asia Society.
Saraswati, S.K. 1971. “East Indian Manuscript Painting.” In Chhavi: Golden Jubilee Volume Bharat Kala Bhavan (1920-1970). Edited by A Krishna. Varanasi: Banaras Hindu University.———. 1978. Paljuger Chitrakala (Paintings of the Pala age). Calcutta: Ananda Publishers.
Sayre, Charles F. 1978. “Illustrations of the Ise- Monogatari: Survival and Revival.” 3 vols. Ph.D. diss., Yale University.
Sharma, P.K. 1976. Devipuranam. New Delhi: Sri Lai Bahadur Shastri Kendriya Samskritividyapitham.
Shastri, Hara Prasad. 1905-16. A Catalogue of Palm-leaf and Selected Paper Mss. Belonging to the Durbar Library, Nepal. With a historical introduction by Cecil Bendall. 2 vols. Calcutta: Asiatic Society.———. 1917. A Descriptive Catalogue of Sanskrit Manuscripts in the Government Collection. Vol. 1. Calcutta: Asiatic Society.
Shastri, Hirananda. 1936. Indian Pictorial Art as Developed in Book-Illustrations. Baroda: Baroda State Press.
Shimizu, Yoshiaki, and John M.Rosenfield. 1984. Masters of Japanese Calligraphy, Eighth-Nineteenth Century. New York: Asia Society Galleries, Japan House Gallery.
Shimonaka, Yasaburo, ed. 1954. Yamato-Nara. Vol. 9 of Shodo zenshu (Collected examples of calligraphy). Tokyo: Heibonsha.
Snellgrove, David L., and Tadeusz Skorupski. 1980. The Cultural Heritage of Ladakh. Vol. 2. Warminster: Aris & Phillips.
Stanley-Baker, Joan. 1985. “The Obaku Connection: One Source of Potential Chinese Influence on Early Tokugawa Painting.” In Sino-Japanese Cultural Interchange: Aspects of Archaeology and Art History. Edited by Yue-him Tam. Hong Kong: Institute of Chinese Studies, The Chinese University of Hong Kong.
Stein, Aurel. 1912. Ruins of Desert Cathay. 2 vols. London: Macmillan.———. 1975 [1907], Ancient Khotan. New York:Hacker.———. 1980 [1921], Serindia. 5 vols. Delhi: Motilal Benarsidass.
Stooke, H.J. 1948. “An Eleventh-Century Illuminated Palm-Leaf Manuscript.” Oriental Art, n.s. 1, no. 1: 5-8.———.1950. “A Twelfth-Century Pancharaksha Mandala.” Oriental Art, n.s. 2, no. 4: 132, 141-45.
Sudo, Hirotoshi. 1981. “Heian jidai no teikei kyokan mikaeshi-e ni tsuite (On Heian-period standardized sutra frontispieces).” Bukkyo Geijutsu, no. 136 (May) 85-117.
Takakusu, J., tr. 1982 [1896]. A Record of the Buddhist Religion by I-tsing. Delhi: Munshiram Manoharlal.
Tanabe, Willa Jane. 1984. “The Lotus Lectures: Hokke Hakko in the Heian Period.” Monumenta Nipponica 39, no. 4 (Winter): 393-407.
Trubner, Henry, William Jay Rathbun, and Catherine A. Kaputa. 1973. Asiatic Art in the Seattle Art Museum. Seattle: Seattle Art Museum.
Tucci, Guissepe. 1949. Tibetan Painted Scrolls. 3 vols. Rome: Libreria dello Stato.
Vrendenburg, E. 1927. “The Continuity of Indian Pictorial Art.” Rupam, 1.
Watters, Thomas.1975 [1904], On Yuan Chwang’s Travels in India: 629-645 A.D. 2 vols. San Francisco: Chinese Materials Center.
Wank, K. 1965. Thailandische Miniaturemalereien, Verzeichnis der OrientaJischen Handschriften in Deutschland. Supp. vol. 3. Wiesbaden: Franz Steiner Verlag.
Weitzmann, Kurt. 1977. Late Antique and Early Christian Book Illumination. New York: Braziller.———, ed. 1979, Age of-Spirituality: Late Antique and Early Christian Art, Third to Seventh Century. New York: Metropolitan Museum of Art.
Whitfield, Roderick. 1982-83. The Art of Central Asia: The Stein Collection in the British Museum. 3 vols. Tokyo: Kodansha International.
Woodward, Jr.,Hiram W. 1981. “Burmese Sculpture and Indian Painting.” In Chhavi—2: Rai Kirshnadasa Felicitation Volume. Edited by A. Krishna. Varanasi: Bharat Kala Bhavan. ———1981-83. “Queen Kumaradevi and Twelfth Century Sarnath.” Journal of the Indian Society of Oriental Art, n.s. 12-13: 8-24.
Wray, Elizabeth, Clare Rosenfield, and Dorothy Bailey. 1972. Ten Lives of the Buddha: Siamese Temple Paintings and fatakas. New York: Weatherhill.
Wujastyk, D. 1984. “The Spikes in the Ears of the Ascetic: An Illustrated Tale in Buddhism and Jainism.” Oriental Art, n.s. 30, no. 2: 189-94.
Zwalf, Wladimir, ed. 1985. Buddhism: Art and Faith. London: British Museum.